I could spend 500 words explaining the phenomenon of Game of Thrones and how pervasively it has entered the cultural zeitgeist and how the hubbub over the #redwedding forced the few who weren’t watching (including myself) to rush through a catch up, but I’d be repeating every second article written in the last week, so let’s talk season 4.
As per usual I will separate my comments and impressions by characters:
It must be said that I was equally concerned and excited about this new Netflix commissioned semi-season of Arrested Development. I was concerned not because I loved the first 3 seasons of the show – which I absolutely do – and thought these new episodes would pale in comparison after a seven-year creative hiatus. It’s not that I thought the actors wouldn’t fit their roles after almost every actor went on to become highly successful on the big screen. It’s not that I was concerned the limitations of the 4th season’s production (actor availability, unfocused episode order, varying episode length) would ruin the show’s essence. It’s not that I thought the show would lose its looseness and sense of style and become forced and stilted. It’s not that I thought the show would be so burdened with overcoming it’s success (well critically, if not in ratings) or the cultural comedic icon it has become, that it will be relegated to 30 minutes of ‘her?’ and chicken dances until nothing new is really said and it feels like a poor derivation of itself (looking at you Community season 4).